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| Take G and H, the two bust sections. |
Unpin them and create mirror image pieces. Sew, trim and apply twill tape to the seams. |
Take the main body piece and piece E, the side back piece. Unpin and make mirror copies. |
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| Put the side back piece underneath the main body and pin the straight part at the top. |
Clip the convex curve on the main body, but not through the seam allowance! |
Ease it around the curve on the side back, and match the fronts. Stitch. |
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| After stitching, check to make sure that you stitched in far enough to catch the clipped parts of the seam. |
Trim and apply twill tape to the seams. Next, you'll be sewing the cups to the body. |
Pin the body to the cup. Stitch, trim and apply twill tape. |
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| The finished pieces so far, from the inside. |
The finished view so far from the outside. |
Take piece D, the hip gusset, and unpin, making sure that you don't get the front and back edges mixed up. |
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| Lay the hip gusset under the body and pin the middle and the two edges first. Then pin the rest of the edge, stretching the body piece as needed. Clip it a little bit if necessary. |
Sew, trim and finish with twill tape. |
Sew the back lacing facing and fashion fabric. Here I've shown the layers in order, before pinning. The back piece, right side up, then the accent color, then the coutil strength layer. |
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| Press the seam open, pressing the seam allowances into the lacing strip. |
Fold the edge of the accent piece over the coutil. Stitch down on the top, and stitch the boning casing on the edge. |
There's only one boning casing: it really should have two. When I planned out the lacing strip, I planned to use smaller grommets. But when I went to the store to pick up some thread... oooh, shiny! [contd] |
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| I found these really cute flower two piece eyelets, and I couldn't pass them up. They are quite a bit bigger the the ones I had planned on using, so that's why I can only fit one boning channel on the facing. I'll add another one on the outside of the lacing strip when I sew on the channels. (It's useful to develop this kind of problem solving flexibility: in every corset something will probably not go to plan!) |
Since I don't have a press, I use a wooden woodworker's shoe to protect my table when hammering eyelets. Its a 12"x12" piece of hard poplar, with 1"x12" pieces of pine nailed on either side. |
I lay a piece of cloth over the shoe and use an awl to open up the holes for the eyelets, making tiny clips if needed to open the holes. |
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| All the eyelets are in, except for the top and bottom ones. Those go on after the binding. |
Sew the busk piece to the front. |
Press the seam allowances over towards the busk piece. (Inserting the busk is one of the last things I do.) |
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| Plan out where the boning casings will go. Mine are two layers, coutil on the inside and the accent color on the outside. |
Stitch the casings using a very narrow seam. |
Press on the seam side and on the front side. |
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| Number them from center front. |
Pin the casings at the top, middle and bottom, curving the corset as you pin. Be sure to leave extra casing length at the ends so you don't end up short. |
Lay out the casings and the bones to check the design. |
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| Stitch the casings, curving the ones over the bust as you sew them. |
Trim the finished casings even with the corset fabric. |
Pin the busk facing on the busk piece and mark the busk placement. Stitch, press and insert busk. Stitch around the busk with a zipper foot, then top stitch the edge of the busk piece to catch the facing on the back side. |
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| Stitch the busk facing on the knob side. Line up the two fronts, insert the knob side under the front, and mark the knobs with chalk. |
Use an awl to open up the holes. |
Work the knob through like a button through a buttonhole. |
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| Do the same for the rest of the knobs, testing each one by hooking up the busk to make sure everything is even. Stitch around the knob side of the busk with a zipper foot, then stitch down the edge of the facing. |
Bind the top of the corset. I like to stitch the binding on from the back side first, fold it over to the front. Then I fold the raw edge inside and top stitch it down. I used straight of grain coutil for the binding on this corset. |
Insert the bones, pinning them into place so they don't slip. Floss or stitch across the ends of the bones to keep them from slipping, and bind the bottom edge. Finally, add the top and bottom eyelets. |
Probably the biggest tip I can give is to not pin in down before sewing, but to guide it with your fingers. Yes, it will take a bit longer, but you'll have more control over the finished product.
For the twill tape, I sewed the side that was on the inside of the curve first, then stretched the tape to follow the curve on the outside when I stitched it. Twill tape doesn't have stretch in the length, but it does have a bit of flex in the width.
For the boning channels, I just put pins in at the top, middle and end, just to keep the placement roughly where it should. Then as I sewed the corset, I would not sew it flat. If you see the picture where I'm sewing the casings over the bust curves... As I stitch, I'm pushing the boning casing into the curve of the fabric and curving the fabric into the shape I want. Its sort of like making a fabric sculpture instead of a flat garment. You're shaping the corset as you sew.